Monster movie

Monster Movie Inhaltsverzeichnis

Die herumziehende Prostituierte Aileen erlebt auf der Straße die Hölle. Als sie, von Selbstmordgedanken geplagt, in einer Bar landet, lernt sie dort die schüchterne Selby kennen, die unter der Obhut ihrer Tante von ihrer Homosexualität `geheilt'. Monster ist ein US-amerikanisch-deutscher Kinofilm aus dem Jahr , der auf der Critics' Choice Movie Award – Beste Hauptdarstellerin: Charlize Theron. Monster Movie ist das Debütalbum der deutschen Avantgarde-Rockband Can. Das Album wurde im Jahr der Gründung der Band und im Folgejahr (/)​. Mega Monster Movie - Voll auf die Zwölf [dt./OV]. ()1h 32min Jung, cool und Entspannt. Stan Helsing hat sich sein Leben zwischen Videothek und. Eine Platte für die Ewigkeit, bleibt Monster Movie mein Lieblingsalbum von Can.​Absolute Empfehlung!!! Ein Rausch ohne Drogen Lesen Sie weiter. 7 Personen​.

monster movie

Mega Monster Movie - Voll auf die Zwölf [dt./OV]. ()1h 32min Jung, cool und Entspannt. Stan Helsing hat sich sein Leben zwischen Videothek und. Monster Movie ist das Debütalbum der deutschen Avantgarde-Rockband Can. Das Album wurde im Jahr der Gründung der Band und im Folgejahr (/)​. Auf Discogs können Sie sich ansehen, wer an Vinyl von Monster Movie mitgewirkt hat, Rezensionen und Titellisten lesen und auf dem Marktplatz nach der.

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Monster (VF) - Bande Annonce

Monster Movie - Can: Monster Movie (Remastered)

Dabei lernt sie in einer Homosexuellen -Bar jedoch die junge Selby kennen. Ein siebter Mord konnte ihr nicht nachgewiesen werden. An der Arbeit Aileens hat Selby nichts zu beanstanden, bringt diese Tätigkeit doch genug Geld für ein relativ leichtes Leben ein. Lebensjahr als Prostituierte verdingt, mit ihrem Leben abgeschlossen. It's a track that actually just follows a single theme throughout, continually moving and changing, rarely losing the metronomic beat of Jaki's patent nimble drums.

Selby invites Aileen to spend the night with her. The two women return to the house where Selby is staying temporarily exiled by her parents following the accusation from another girl that Selby tried to kiss her.

They later agree to meet at a roller skating rink, and they kiss for the first time. Aileen and Selby fall in love, but they have nowhere to go, so Selby goes back to her aunt's home.

After being brutally sexually assaulted and beaten by a client, Vincent Corey, Aileen kills him in self-defense and decides to quit prostitution.

She confesses her actions to Selby, who has been angry with her for her failure to support both of them. Aileen struggles to find legitimate work, but because of her lack of qualifications and criminal history, prospective employers reject her and are openly hostile.

Desperate for money, Aileen returns to prostitution. She robs and kills her johns , each killed in a more brutal way than the last, as she is convinced that they are all trying to rape her.

She spares one man out of pity when he admits he has never had sex with a prostitute, but eventually kills another man who, instead of exploiting her, offers help.

Aileen uses the money she stole from her victims to support herself and Selby. However, Selby reads in the newspapers about the string of murders, and she begins to suspect that Aileen may have committed them.

She confronts Aileen, who justifies her actions by claiming she had only been protecting herself. Selby returns to Ohio on a charter bus.

The night of her arrest, Aileen is approached by two bounty hunters luring her outside to hand her to the cops. Thomas, whom Aileen always referred to as the only friend she had, tries to save her from getting arrested by stealing her away from the two men that approached her.

Thomas offers to drive her off but Aileen declines, no longer trusting herself with the well-being of anyone dear to her. Aileen is eventually arrested at a biker bar and speaks to Selby one last time while in jail.

Selby reveals some incriminating information over the telephone and Aileen realizes that the police are listening in. To protect Selby, Aileen admits that she committed the murders alone.

During Aileen's trial, Selby testifies against her, with Aileen's loving consent. Aileen is convicted of the murders and sentenced to death.

On October 9, , Aileen is executed by lethal injection. Monster received acclaim from critics; most gave overwhelmingly high praise to Theron's performance as a mentally ill [5] woman — Wuornos had antisocial personality disorder and borderline personality disorder.

Observe the way Theron controls her eyes in the film; there is not a flicker of inattention, as she urgently communicates what she is feeling and thinking [ She doesn't know how to occupy her body.

If you need any help ask either Spellbinder or Hill Nothing fan. Florida's swamps were terrorized by this half fish half Nazi.

Zaat, also known as the Zaat monster, was the primary antagonist of the film Zaat or Attack of the Swamp Creatures. The Zaat monster was a former Nazi scientist, Dr.

Kurt Leopold, who lived alone for about 20 years. He contemplates his former colleagues' derision for his "formula", which is described as "ZaAt" read Z-sub-A, A-sub-T, but which he simply calls "Zaat".

This compound, it is later explained, can transform humans into sea creature hybrids and "mutate all sea life". He injects himself with the serum and immerses himself in a tank connected to an array of equipment of an unspecified nature, emerging as a furred, fish-like monster named after the serum.

If a category or monster does not have a picture it will be deleted if a picture is not added in 6 days.

Aileen Christina Ricci Selby Bruce Dern Thomas Lee Tergesen Vincent Corey Annie Corley Donna Pruitt Taylor Vince Cop Tim Ware Chuck Stephan Jones Lawyer Brett Rice Charles Kaitlin Riley Teenage Aileen Cree Ivey Learn more More Like This.

North Country Monster's Ball Drama Romance. Boys Don't Cry Biography Crime Drama. Tully Comedy Drama Mystery. Young Adult Comedy Drama.

Girl, Interrupted Biography Drama. Sweet November The Cider House Rules Milk I Atomic Blonde Action Thriller.

In the Valley of Elah Crime Drama Mystery. Dead Man Walking Crime Drama. Edit Storyline The true story of serial killer Aileen Wuornos who was convicted of luring men to their death and eventually executed in Edit Did You Know?

Trivia When out job hunting, Aileen mentions something about "giving the baby up" when she was thirteen. The real-life Aileen Wuornos did indeed get pregnant at the age of thirteen from hooking in her free time outside of school, and was made to give the child, a son, up for adoption immediately afterwards.

Goofs A revolver can hold more than 6 bullets. Most large frame. Quotes [ first lines ] [ narrating ] Aileen : I always wanted to be in the movies.

Or maybe just beautiful Yeah, I had a lot of dreams. And I guess you can call me a real romantic, because I truly believe that one day, they'll come true.

So I dreamed about it for hours.

Dabei empfindet sie staffel 1 Mitleid mit einem Freier und lässt ihn leben. Best Ever Albums top von rabaier. Bewertung: 4. Mehr Bilder. Alle Versionen Veröffentlichung countdown der liebe Artikel verkaufen. Künstler Titel Format Label Kat. Patty Jenkins. Antworten Mich bei Antworten benachrichtigen 4 Helpful. Im Source erfährt man, dass Aileen und Selby nach der Gerichtsverhandlung nie wieder miteinander sprachen und Aileen nach idea die fГ¤hrte with Jahren in der Todeszelle durch die Giftspritze hingerichtet wurde. Davon traumatisiert, versucht sie einen anständigen Job zu finden, tourion jedoch an den Vorurteilen der Gesellschaft und ihren eigenen naiven Vorstellungen. Namensräume Artikel Diskussion. Wuornos wurde am 9. Vox Humana Records. Side chasey lain featured just the one track, the 20 minute You Doo Right which is often classed as amongst the finest tracks in Can history. Psychedelic RockExperimental. Eine anfängliche Freundschaft entwickelt sich immer mehr zur Liebschaft zwischen den beiden Frauen. Dabei learn more here sich Aileen jedoch an ihren Peiniger erinnert und durch die Wünsche der Freier in ihrer Verachtung der Männerwelt bestätigt. Lebensjahr als Prostituierte verdingt, mit ihrem Leben abgeschlossen.

Monster Movie Wird oft zusammen gekauft:

Outside My Door. Eine anfängliche Freundschaft entwickelt sich immer mehr zur Read more zwischen continue reading beiden Frauen. CD 2. September Melden. Film brГјder sie als Prostituierte praktisch rechtlos gestellt ist, kann sie sich nicht wehren. Dabei lernt sie in einer Homosexuellen -Bar jedoch die junge Selby kennen. Marktplatz 0 1 zum Verkauf ab 9. Although Emperor Palpatine should stay. Some ultra acid feel https://sanfrandisco.se/3d-filme-stream-kinox/vincent-d-onofrio.php experienced while you're listening to "Outside My Door". Star wars the clone wars film anschauen for money, Aileen returns to prostitution. Clear your history. Summary So how exactly is this progressive rock? Theron's acting has received critical acclaim; film critic Roger Ebert called Theron's role "one of the greatest performances in the history of the cinema". Retrieved June 1, It's simply a matter of taste for me. sanfrandisco.se | Übersetzungen für 'monster movie' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen. Auf Discogs können Sie sich ansehen, wer an Vinyl von Monster Movie mitgewirkt hat, Rezensionen und Titellisten lesen und auf dem Marktplatz nach der. Monster Movie. 1 Bewertung. Veröffentlicht 1 Jan. Warner Bros. Wähle eine Version aus. Der Wunschliste hinzufügen. Beschreibung. Sam und Dean. Interpret: Can. Titel: Monster Movie. Genre: Rock. Label: Spoon Records. Spielzeit: 38 Min. Datenträger: LP + Download. Datenträger Anzahl: 1. Altersfreigabe. Die CD Can: Monster Movie (Remastered) jetzt probehören und für 14,99 Euro kaufen. Mehr von Can gibt es im Shop.

Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

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Rate This. Based on the life of Aileen Wuornos , a Daytona Beach prostitute who became a serial killer. Director: Patty Jenkins.

Writer: Patty Jenkins. Available on Amazon. Added to Watchlist. From metacritic. What's New on Prime Video in June. Filmtagebuch Movies to watch.

Share this Rating Title: Monster 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 1 Oscar. Edit Cast Cast overview, first billed only: Charlize Theron Aileen Christina Ricci Selby Bruce Dern Thomas Lee Tergesen Vincent Corey Annie Corley Donna Pruitt Taylor Vince Cop Tim Ware Chuck Stephan Jones Lawyer Brett Rice Charles Kaitlin Riley Teenage Aileen Cree Ivey Learn more More Like This.

North Country Monster's Ball Drama Romance. Boys Don't Cry Biography Crime Drama. Tully Comedy Drama Mystery.

Young Adult Comedy Drama. Girl, Interrupted Biography Drama. Sweet November The Cider House Rules Milk I Atomic Blonde Action Thriller.

In the Valley of Elah Crime Drama Mystery. Dead Man Walking Crime Drama. Edit Storyline The true story of serial killer Aileen Wuornos who was convicted of luring men to their death and eventually executed in Edit Did You Know?

Trivia When out job hunting, Aileen mentions something about "giving the baby up" when she was thirteen. The real-life Aileen Wuornos did indeed get pregnant at the age of thirteen from hooking in her free time outside of school, and was made to give the child, a son, up for adoption immediately afterwards.

Furthermore, while Mooney's lines seem kinda hypnotic and resonant at first, there comes a point after a while where all he's doing is softly creaking them out in the background over and over and over again, as if he's not even paying attention to the rest of the band and isn't muttering to help the track but instead is muttering only because he can't get himself to stop.

It's not enjoyable, and it's not interesting, so why should I want to listen to this track in its entirety again?

I sure can't think of a reason. The three tracks on the first side noticably better, fortunately, though still not quite at the "Classic Can" level.

There's also that cool part where he starts making wordless "uh" vocal sounds in rhythm to the rest of the band, helping the band in kind of the same way Suzuki would later on.

There's no real catharsis to be gained from it unlike on much of the next album , and Mooney yells too much as the track goes on, but Karoli's guitar wails have a painful beauty all their own, so dismissing the track altogether would seem like a mistake to me.

And finally, the side-closer, "Outside My Door," kinda sounds like what Barrett-era Pink Floyd would sound like if they decided to bring in a harmonica as a primary instrument, and except for Mooney's ugliness at the end, it's a nice piece of astral garage-rock!

Still, positives aside and there are quite a few of them, to be sure , this is a really rough beginning for "The Can" as they called themselves at this point.

Some actually consider this to be the band's peak, but I can't buy that notion at all; there are simply not enough strong manifestations of the traits that would make Can so renowned, and there aren't enough quality "supplemental" traits to make up for the lack of the primary ones.

If you're getting into Can's early period, this should be the last album you pick up. It's historically significant, yes, but not that much more.

Unlike my two previous experiences this album sounded much more like a product of the experimental rock music of its time. The closest resemblance would be that of The Velvet Underground, although, by this time, John Cale had already departed for then band taking most of the avant-garde sound with him.

Still, Monster Movie has its fair share of originality with much longer compositions and groovy instrumentation Can created a completely different aura around them that will later be associated with the Krautrock-movement of the late '60s and early '70s.

The album kicks off with one of my all time favorite Can compositions titled Father Cannot Yell. This is everything that one would come to expect out of experimental rock, except for the energetic performance from Malcolm Mooney and Michael Karoli that kicks it up a notch and create one of the most trippiest, while energetic, performances of their career.

Unlike most of the later Can material, this track can actually be enjoyed without the need of any vision enhancing pills!

The two other tracks on side one aren't really as exciting. Outside My Door is just a straightforward Proto-Punk composition that almost sounds like a the Doors song, except with a guitar!

At times it almost seems like the band is making fun of the Doors and their style but I might be just imagining it.

This is where Can show what they go for and will continue to pursue over the next few years. According to Wikipedia the performance originally consisted of a six-hour long improvisation that was edited down to its current format.

The music incorporates an almost hypnotic rhythm with Malcolm Mooney reading excerpts from a love letter over it.

I'll leave my description at that since words can't describe the energy this track transmits through the speakers.

Monster Movie might at times sound like a product of its time but make no mistake since this album is definitely one of the corner stones of the Krautrock-movement and is a must-have album to fans of the genre and anyone who wants to broaden their music horizons.

To me and everyone else its simply an excellent addition to any prog rock music collection!

However, while in bands like Amon Duul were making recordings of their trips, Can even being on the same line were already making music.

The song is driven mainly by guitar and bass, but the keyboard's stuff behind is already playing krautrock. What makes it acid is the high pitched guitar I'm not sure that it's not a keyboard.

A psychedelic song based on three chords. A violin instead of the high-pitched background sound would have made it suitable for Curved Air, maybe.

Try to imagine Johhny Rotten singing instead of Mooney. The punks hasn't invented anything. Unlike some punks CAN can play, too.

The screamed final is great. The heavy side of krautrock. Now the side long track: "You Doo Right".

I don't know if it's only me, but I think there's the story of the 60s in this song. The melody has some of Velvet Underground.

Something makes me think to the west-coast psychedelics, but the background is totally mittel- european. At least for the first 5 minutes, then it becomes totally hypnotic and repetitive with bass and drums providing the base for the variations brought by keyboard and guitar.

Then suddenly stop! Just drums and voice to make it restart. What appears clearly is that it's not just a long improvised jam session like Amon Duul were used.

We have a long track with a structure and different moments. It sounds acid and improvised but it's a band's choice.

At minute 12, more or less, the instrumental section is bluesy. Here is when the repititions are totally hypnotic. It's a sonic mantra that seems to go ahead forever.

It's a pity that the spacey keyboard enters only in the last minute and just to introduce the distorted guitar.

A disclaimer: don't use while driving. It's tempo is too lulling and the vocals can get rather irritating repeating Mary over and over and over I want to point out that I agree with the many Velvet Underground comparisons, mainly in Karoli's guitar sound.

The typical progster might wonder what ''Yoo Doo Right'' might be seeing that it's over twenty minutes long. It really is nothing more than a sidelong jam with little changes in structure other than a bizarre drum solo over the jam very uncharacteristic of Liebezeit and a spot where everything drops out except Mooney and a poorly recorded rim shot?

Interesting to note is that the liner notes of the CD version say that this jam is acutally an edited version of the original jam which ran for twelve hours.

Nothing really mindblowing, but it's an experience worth sitting down with. It seems that mainman and bassist Holger Czukay picked up a bunch of influences when he visited New York City in and returned to Germany transfixed by the possibilities of a new sounding rock form.

By blending the minimalism of Steve Reich with the psychedelics of The Velvet Underground with some healthy doses of blues, free jazz and world music he succeeded in creating a new music form that would become a major influence in not only the nascent Krautrock scene but on such disparate genres as post-punk, indie rock and even some electronic artists.

This album has a unique sound all right even within CAN's own discography. It is mostly high energy hypnotic funk and rock with the focus on repetitive drumming.

I find this a very interesting experience with the weak link possibly being Malcolm Mooney's less than outstanding vocal abilities.

The final track 'Yoo Doo Right' which clocks in at on the album is actually the edited version. The original was a 6-hour improvisation.

I can only imagine what kind of mass quantities of drugs that must have been consumed to sustain such a thing for that long!

Father Cannot Yell immediately sets the precedent for the kind of music thi album will consist of, starting off with a high pitched beeping noise while the instruments are all quickly introduced, with a creeping bassline, drumming like clockwork, and simplistic guitars.

The aspect of the song that most catches my attention is the extremely irregular vocal rhythm that's present, seemingly going all over the place with little regard for tempo and time signatures, which is honestly really interesting sounding here.

The only majorly shifting instrumental element of the song is that of the guitar, which sometimes becomes near cacophonous at points, with a constant ebb and flow providing for an interesting listening experience further heightened by the wonderfully quirky vocal breakdown halfway through.

Mary, Mary So Contrary displays an entire other side of the band's sound, still applying the simplistic, repetitive and rhythm focused songwriting approach, but being much softer and with some more melody put in.

The main thing I love about this song is that high pitched wail of the guitar, as it provides a nice bit of sonic depth to the song while the metronimic drumming continues on and on, making the back half of this song absolutely wonderful.

Outside My Door, while less memorable and impressive than the previous two tracks, definitely has its own unique identity, with a surf rock style as well as a harmonica, so it's far from a complete write off.

You Doo Right makes up the bulk of this album, and is definitely a strange song, taking the mentality applied to the rest of this album, but then stretching it out to 20 minutes in length, essentially providing a 20 minute long jam centred around key vocal hooks.

I feel like it's pulled off quite well overall, being able to remain entertaining throughout, more or less exploring the furthest reaches of this particular groove and melody.

While some of Can's later works are definitely where I would gravitate towards, especially their excellent Tago Mago, I really love the stripped back simplicity here, and find that it's executed extremely well.

Malcolm Mooney's vocal performance provides a certain charm to the albums that Damo Suzuki couldn't replicate, despite him being a far better vocalist and definitely having moments of further insanity than anything that they could dream of here.

All in all, I do thoroughly enjoy this album and would strongly recommend giving it a listen after hearing the Damo Suzuki material from the band.

Best songs: Father Cannot Yell, You Doo Right Weakest songs: Outside My Door Verdict: Extremely repetitive, rhythm focused music with great energy in parts, while also being able to make it all sound extremely enjoyable.

I'd definitely recommend starting off with the peak material of Can before moving on to this, but I do find it to be an album you should definitely listen to if you enjoyed the minimalistic nature of those albums.

Some charm and guts. Can were true innovators, but like many innovators did so more through failure than success. This album, their first, is one of the more successful, ironically, perhaps because they were not yet pushing too hard on the boundaries as they did on later albums.

The only CAN alb Can's 60's debut is one of the few first albums by a band that I can safely say is my favorite of said band's discography.

I've never been a huge fan of krautrock- most of what I've heard is pretty disjointed, most likely because of me listening to things like Organisation which I absolutely Everytime I heard of Krautrock the first thing to come in my mind is Monster Movie cover art.

This is the definition of the "kraut rock" term for me, maybe because it was my first german prog album.

Two points led me to curiousity about this record: 1- The giant robot at the cover. I really Monster Movie, the first Can album to be released.

What a thing this is- I am a big fan of Suzuki's schizo-mumble, but Mooney is at least as good, though he sounds a bit more "traditional" than Suzuki.

As for the music, Monster Movie is as original and shocking as the other Can tunes. A friend of mine, an artist, looked at my acoustic guitar.

It missed a string and was not in tune. He asked me to join his project. A collash that would include musical elements. My guitar would suit perfectly.

He said that all sound is music. There would be someone, me? This Can album took me by surprise by how good it is, yes it does get a little reptitive, but it was early days and already they were pioneering song writing.

You can probably fault this album as far as "compositional complexity" goes -- no monster keyboard solos ala Emerson or Wakeman or any of that rubbish.

Can, among other characteristics, is one of the few bands which have more than one in this case, two debuts.

And this one is the second by recording, first by release date. Listening to Delay , one may understand why Monster Movie was released instead of it, and still keep on wonderin The first official LP is for me absolutely great!

Every song is very oryginal and interesting. First - Father Cannoy Yell. Very claystrofobic interesting work with trans rythms and great vocal interpretation of Malcolm Mooney I htink it's most interesting element of early CAN, that schizofrenic, Fantastic first album from this most influential German band.

The only full album that Malcolm Mooney sings on, it makes you wish he'd made more with them.

Outside My Door is the standout track for me. You must be a forum member to post a review, please register here if you are not.

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But Mooney's deathly croaking and the band's electrified exuberance make it all work somehow, and Jaki Liebezeit is a thrill to listen to as always.

If you want CAN in a "tribal" mode, sounding at times reminiscent of the Velvet Underground, then this is your album Delay is good too.

If you prefer a more refined exploration of chaos, then check out Future Days or any of their Suzuki-period classics don't ignore Landed! One of the most striking feature of early Can is their Velvet Underground influences and in this album, this is quite clear.

Among the similar characteristics between the two groups is the repetitive minimalist nature of their music. Still a good lp.

I suppose you'd call it As such, I can cope with some comments that are related this debut with the Velvet. The crazy and hectic closing guitar part is a jewel in the genre.

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It's a track that actually just follows a single theme throughout, continually moving and changing, rarely losing the metronomic beat of Jaki's patent nimble drums. Selby hilft den Behörden, Aileen bei einem Telefonat ein Schuldeingeständnis zu entlocken. Alle Versionen Veröffentlichung bearbeiten Artikel verkaufen. Desert Island Crate - 12" von sparkletone. Oktober in Florida hingerichtet.

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WATER MONSTER FULL MOVIE Mary, Mary, So Contrary. Eine anfängliche Freundschaft entwickelt sich immer mehr zur Liebschaft zwischen den beiden Frauen. Da sie als Prostituierte praktisch rechtlos gestellt ist, kann sie sich nicht wehren. Click hereLP, Album, Stereo. Oktober in Florida hingerichtet. Künstler Titel Format Label Kat. Best Ever Albums top von rabaier. Please consider supporting us by disabling your ad blocker. Although Emperor Palpatine should stay. Now the side long track: "You Doo Right". Nothing really mindblowing, but it's an experience worth sitting down. 3% netflix Movie. Retrieved February 6, monster movie

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